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Fumi-e: The Picture Underfoot

For more than two centuries the people of Nagasaki began each new year by stepping on an image of Christ or Mary, a test meant to expose Christians that became a routine of government, and that the hidden Christians learned to survive with a prayer of sorrow on their lips.

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A 1789 European engraving of the treading ceremony in Nagasaki
A 1789 European engraving of the treading ceremony in Nagasaki Anonymous engraver, in John Hamilton Moore, New and Complete Collection of Voyages and Travels (via Wellcome Collection), Public domain. Commons

In 60 seconds

The opening line of each part of the story, from the Doc.

  1. New Year at the headman's ho…In Urakami, the farming valley just north of Nagasaki, the New Year brought a summons.
  2. How it beganThe practice in Nagasaki began, according to the eighteenth-century local history Nagasaki kōsō, in 1628 (Kan'ei 5), under the magistrate Mizuno Morinobu.
  3. A calendar of feetIn time the treading in Nagasaki became a fixed New Year event, carried out ward by ward.
  4. Lending the facesThe fumi-e also tied the domains of Kyushu to the shogunate's man in Nagasaki.
  5. What it did to the faithFrom the 1660s, the treading was extended from suspected Christians to everyone in the Kyushu domains, and it became part of how the domains governed their people.
  6. The end of the treadingWhen did it end?

New Year at the headman's house

In , the farming valley just north of , the New Year brought a summons. On fixed days every household had to go to the house of the village headman, the , and walk across a small plate laid on the floor. On the plate was a figure of Christ or of Mary.

Many of the people who stepped on it were Christians. They had been baptised in secret, and they prayed to Mary before porcelain figures of Kannon.The Urakami parish history says that as they trod on the image, against their will, they prayed the , the prayer of contrition.They put their feet on the face they loved, and asked forgiveness at the same moment.

The custom is usually told as a story of persecution, and it was. But it was also something stranger: a ritual that a whole society performed together, Christians and non-Christians, officials and townspeople, every year for generations. This page asks how a test designed to catch believers became a calendar event, and what it did to the faith of the people it was meant to destroy.

On the mapWhere this happened
Every place in the atlas below that has coordinates. Gold pins are approximate or town level. Full atlas and pin sources

How it began

The practice in Nagasaki began, according to the eighteenth-century local history Nagasaki kōsō, in 1628 (Kan'ei 5), under the magistrate Mizuno Morinobu.Standard Japanese reference works agree on 1628, or more loosely "the 1620s."Its first purpose was narrow. Mizuno used it on korobi, people who had already renounced the faith, to check that they had not gone back to it, and he made them tread on the painted hanging scrolls that Christians themselves had venerated.The historians Yasutaka Hiroaki and Uchijima Minako point out that at this stage it looked more like an administrative check than an instrument of terror.

Paper wears out under feet. The next year the new magistrate, Takenaka Shigeyoshi, set cast metal images of Christ and Mary into wooden boards so that many more people could be tested.These were the ita-fumie, board . The images were small devotional plaques, around ten by twenty centimetres, of the kind that the missionaries had brought to Japan. Most of those in Japan, the authors suggest, were inexpensive Spanish work; the finer ones were Italian.

In 1669, under the magistrate Kōno Michisada, the paper images had torn and there were not enough metal ones, so the magistrate ordered a caster of Motofurukawa-machi, Hagiwara Yūsa, to make twenty more in brass.One account says the craftsmen were made to swear an oath and worked in a temporary hut in front of the Nishi Yakusho, and that all twenty were cast in a single day. The author of Nagasaki kōsō gives this only as "one account," and Yasutaka and Uchijima treat it with care ().The oath, they suggest, was meant to stop the craftsmen being converted by the images they were copying.

The brass plates show four scenes: Christ crowned with thorns (Ecce Homo), Christ on the cross, the Pietà, and Our Lady of the Rosary.Comparing them with the older board plaques, the authors find details simplified or lost, and each plate a little different. Whoever made the moulds, they conclude, did not understand the Christian meaning of what he was copying.

A calendar of feet

In time the treading in Nagasaki became a fixed New Year event, carried out ward by ward.Yasutaka and Uchijima reconstruct the schedule from the records.

On the second day of the first month, the plates were taken out of the shūmon-gura, the storehouse for confiscated Christian objects at the magistrate's Tateyama office.The next day they went to the town elders, whose own households trod first. From the fourth day the plates went round the city, one or two to each ward: on the fourth day twelve plates served seventeen wards; on the fifth, ten plates nineteen wards; and so on until the eighth.On the ninth day it was the turn of the Dōza and the Chinese quarter.Then the plates went out to the villages: Nagasaki village from the twelfth, Urakami Yamazato on the fourteenth and fifteenth, Urakami Fuchi on the sixteenth and seventeenth, and the outlying villages through the second month. When they came back, the magistrate's office collected the registers of everyone who had stepped.

In a 2020 public lecture, Harada Hiroji of the Nagasaki Historical Society noted that every ward had its fixed day, and said that anyone not at home on that day "could not complain if they were suspected."He argued from the records that the magistrate's office lent ten plates, and that a figure of twelve in the 1797 Nagasaki saijiki is probably a mistake ().

Treading became so much a part of the Nagasaki year that ebumi entered the haiku calendar as a word for spring.

In Urakami, the parish history says, the treading began in 1641. On the day, every man, woman and child had to step, the sick and babies included.

Lending the faces

The fumi-e also tied the domains of Kyushu to the shogunate's man in Nagasaki. The magistrate kept the plates and lent them out: by one reference count, ten board fumi-e and the twenty brass ones, thirty in all.Nagasaki kōsō lists the borrowers: Shimabara, , Ōmura and in Hizen, Kurume in Chikugo, Kitsuki, Takeda, Usuki, and Hita in Bungo, and Nobeoka in Hyūga, which it counts as "ten places."Others borrowed at times. Many domains did not borrow at all, and some, like Kumamoto, had their own.

Ōmura began borrowing after the Kōri crackdown of 1657, when 603 were found in its territory and 406 were beheaded, by Yasutaka and Uchijima's count.(Miyazaki gives 608 and 411: .)In the second month of 1658 the domain sent an officer to Nagasaki to ask for plates "as a warning for the future." He came back in the eighth month with two, one for the mainland villages and one for the islands, and the whole domain was tested in under a week.Yasutaka and Uchijima read the borrowing as a pledge of loyalty to the shogunate as much as a hunt for believers.

In Kumamoto the practice was called kagefumi, "treading the shadow," and the plates kageita. Samurai, and townsmen allowed to wear swords, were excused with their families. The test drew the line of the social order as well as the line of faith.

What it did to the faith

From the 1660s, the treading was extended from suspected Christians to everyone in the Kyushu domains, and it became part of how the domains governed their people.The historian Miyazaki Kentarō counts the fumi-e among the instruments of the early Tokugawa ban, alongside rewards for informers, the five-household groups, written renunciations and temple registration, and says that they controlled ordinary people as much as Christians.

The hidden Christians stepped and went home.

But it left a wound. Miyazaki suggests that for people who denied God underfoot every year, God the Father came to seem a fearsome judge. The centre of their devotion shifted, without anyone deciding it, to the gentle and forgiving figure of Mary.The prayer of contrition at the headman's house is the same wound seen from inside.

When the exiled Urakami Christians came home in 1873, they carried that memory with them. In 1880 they bought the Takaya house, the place where they had trodden on the image, and made it their church.In 1881, urged by their priest, they raised a great cross on a hill nearby, Jūjiyama, for two reasons: to make reparation for the treading of the fumi-e, and to give public thanks that the persecution was over.

The end of the treading

When did it end? . The Urakami parish history says the last treading in Nagasaki was in 1857 (Ansei 4), after the Dutch chief Donker Curtius urged its abolition.A Japan Tourism Agency chronology dates the magistrate's order ending it to 1858.Reference works tie the end to the Japan United States treaty of 1858, and note that registers show treading went on for some years outside Nagasaki.The ban on Christianity itself lasted until 1873.

The objects in the magistrate's storehouse went on public display at the Imperial Household Museum in Tokyo in 1906, and were designated Important Cultural Properties in 1977.Today they are in the Tokyo National Museum as the "Nagasaki Magistrate's Office Christian Materials," which also include items seized from believers in Urakami, a among them.Nineteen of the twenty brass fumi-e of 1669 survive there.They are worn smooth in places by two centuries of feet.

Be careful with "fumi-e" elsewhere. Many objects in Japan are called fumi-e, but the historian Kataoka Chizuko warns that without firm evidence they were used in the searches, they cannot be called fumi-e.

Atlas

Every place in this story

Every place in this story. Each pin is marked as an exact site, town level or approximate. Rows without coordinates are listed as not pinned.

Exact siteApproximate or town level
PlaceWhy it matters hereCoordinatesCoordinate source
Takaya headman's house (now Urakami Cathedral)Annual treading in Urakami32.77616, 129.86839Exact site OpenStreetMap way/280652259 (浦上天主堂)
Tateyama magistrate's office (now Nagasaki Museum of History and Culture)Storehouse of the plates32.75299, 129.87945Exact site 32.75299, 129.87945 (exact site)
Nishi Yakusho, NagasakiWhere the brass plates were said to be cast32.74506, 129.87410Exact site GSI address search for 長崎市江戸町2-13, the address in the excavation report (the report's own latitude/longitude field is malformed, so the address was geocoded)
Chinese quarter (Tōjin yashiki), NagasakiTreading on the ninth day32.73976, 129.87635Exact site OpenStreetMap node/13373703564 (唐人屋敷跡 board)
ŌmuraBorrowing domain after Kōri crackdown32.91073, 129.96237Town level OpenStreetMap node/8644434174 (大村 station), town only
Jūjiyama, UrakamiCross of reparation, 188132.78533, 129.87618Exact site 32.78533, 129.87618 (exact site)
Tokyo National MuseumHolds the 19 brass fumi-e35.71904, 139.77597Exact site 35.71904, 139.77597 (exact site)
Timeline

The dated story

Every dated row in the Doc’s timeline, with its source.

  1. 1628Mizuno Morinobu introduces treading in Nagasaki
  2. 1641Treading begins in Urakami
  3. 1629Takenaka Shigeyoshi introduces board fumi-e
  4. 1657Kōri crackdown in Ōmura
  5. 22 Feb 1658 (old calendar)Ōmura asks Nagasaki for fumi-e
  6. 12 Aug 1658 (old calendar)Ōmura borrows two plates
  7. 1660sTreading extended to the whole population
  8. 166920 brass fumi-e cast
  9. 1745Kumamoto kagefumi circuit recorded
  10. 1797Nagasaki saijiki describes the New Year treading
  11. 1857Last treading in Nagasaki (parish)
  12. 1858Magistrate's order ends it (JTA); US Japan treaty
  13. 1906Magistrate's Christian objects shown at the Imperial Household Museum
  14. 1977Designated Important Cultural Properties
  15. 24 Feb 1873Notice boards banning Christianity removed
  16. 1880Urakami Christians buy the Takaya house
  17. 14 Sep 1881Jūjiyama cross raised in reparation for the treading
Read next

Where to go from here

Full record

Key facts

FactValueStatusSource
NameFumi-e (the image); ebumi (the act); Kumamoto: kageita, kagefumiSolid
Begun in Nagasaki1628 (Kan'ei 5), magistrate Mizuno MorinobuSolid
First useTesting apostates, with Christian hanging scrollsSolid
Board fumi-eFrom 1629, magistrate Takenaka ShigeyoshiSolid
Brass fumi-e1669, magistrate Kōno Michisada; 20 cast by Hagiwara YūsaSolid
Cast in a day"One account" onlyUnverified
Survivors19 brass fumi-e, Tokyo National Museum; Important Cultural Property (1977)Solid
Plates held by Nagasaki magistrate10 board + 20 brass = 30Solid (one reference)
Urakami treading began1641Solid (one source)
ThemesEcce Homo (5), Christ on the cross (5), Pietà (4), Our Lady of the Rosary (5)Solid
Plates lent to Nagasaki wards10 (Harada) vs 12 (Nagasaki saijiki, 1797)Disputed
Borrowing domains"Ten places" named in Nagasaki kōsōSolid
Ended1857 last treading (parish); 1858 magistrate's order (JTA); 1858 treaty (references); 13 Apr 1856 at open ports (Japanese Wikipedia only, Unverified)Disputed
Glossary

Words in this story

fumi-e 踏み絵
"Picture to step on." An image of Christ or Mary that people were made to tread on to prove they were not Christian, from 1628.
Konchirisan コンチリサン
From the Portuguese contrição. A prayer of sorrow for sin, said by many after treading on the fumi-e.
Sources

Footnotes

  1. 1 Yasutaka Hiroaki and Uchijima Minako, "絵踏の展開と踏絵の図像: 貸借にみる踏絵観," Seinan Gakuin Daigaku Hakubutsukan kenkyū kiyō 4 (c.2016), pp. 25 to 30 and following, quoting Nagasaki kōsō and Kiyō gundan.
  2. 2 Bunkachō, e-Kokuho, "踏絵," Tokyo National Museum C-711 and set (101 fn 11).
  3. 3 Nagasaki Shimbun report of the Nagasaki Shidankai Nagasaki-gaku public lecture by Harada Hiroji, "正月の行事 踏絵" (2020).
  4. 4 Urakami Cathedral parish history, "総流配より帰郷後の窮乏" (Takaya house, Konchirisan, Jūjiyama). source link (checked 19 Oct 2026); Compendium OS-084. See also 101 fn 13.
  5. 5 Kotobank, "踏絵," entries from Nihon daihyakka zensho (Shōgakukan), Sekai daihyakka jiten (Heibonsha; by Kataoka Chizuko) and Seisen-ban Nihon kokugo daijiten; also Yamakawa Nihonshi shōjiten (2016). source link (checked 19 Oct 2026)
  6. 6 Miyazaki Kentarō, "Roman Catholic Mission in Pre-Modern Japan" and "The Kakure Kirishitan Tradition," in Mark R. Mullins (ed.), Handbook of Christianity in Japan (Leiden: Brill, 2003), pp. 17 to 22.
  7. 7 Japan Tourism Agency, "Chronology of Christianity in Japan Centered on Nagasaki" (R1-00782). source link (checked 19 Oct 2026)
  8. 8 Urakami Cathedral parish history, "禁教時代" (section "悲しい絵踏行事"). source link (checked 19 Oct 2026)
  9. 9 Tokyo National Museum, special exhibit "キリシタン関係遺品の保存と研究" (Honkan Room 14). source link (checked 19 Oct 2026)
  10. 10 ColBase (National Institutes for Cultural Heritage), "踏絵 キリスト像(エッケ・ホモ)," TNM C-727 (19 survive of an original 20). source link (checked 19 Oct 2026)
  11. 11 National Archives of Japan, "日本のあゆみ," 1873 removal of the notice boards (Dajōkan Proclamation No. 68). source link

Additional sources used only in this page's features:

  • G1 Hand to Hand fn 3: Japan Tourism Agency, Multilingual Commentary Database, "Chronology of Christianity in Japan Centered on Nagasaki" (R1-00781, FY2019; text by the Nagasaki and Amakusa World Heritage council). [source link) (checked 19 Oct 2026) / Hand to Hand fn 10: Japan Tourism Agency, Multilingual Commentary Database, "The Age of Hiding" chronology (R1-00782, FY2019). [source link) (checked 19 Oct 2026) / Hand to Hand fn 11: e-Kokuho (National Institutes for Cultural Heritage), "板踏絵 無原罪の聖母," Tokyo National Museum C-711, part of the Important Cultural Property group 長崎奉行所キリシタン関係資料. [source link) (checked 19 Oct 2026)
  • G2 Hand to Hand fn 13: Urakami Cathedral parish history pages, "総流配より帰郷後の窮乏 / 仮聖堂の建立 / 十字架山参詣地設立" (quotes Sada's memoir and Nagasaki Prefecture reports); also Compendium OS-084. [source link) (checked 19 Oct 2026) / Miyazaki Kentarō, "Roman Catholic Mission in Pre-Modern Japan," in Mullins (ed.), Handbook of Christianity in Japan (Brill, 2003), ch. 1, pp. 1 to 18 (box copy; definitions of kirishitan, terauke and conchirisan). Same book as footnote 5.
Images

Image credits

  • Hero: Anonymous engraver, in John Hamilton Moore, New and Complete Collection of Voyages and Travels (via Wellcome Collection), Public domain. Commons

Map data © OpenStreetMap contributors. Identifications follow each image's Wikimedia Commons description.